Teaching Critical Analysis in Cancel Culture

Content Warning: Discussion of trans exclusion narratives

They say 2020 is the year of the blog (They being two or three people in my Twitter timeline), and I’m full of new year’s resolutions so let’s talk about Cancel Culture. 

Cancel Culture, if you are blissfully naive, is an internet practice where someone who says something controversial or ‘problematic’ is repeatedly attacked and boycotted in an attempt to minimise the dangerous opinion’s platform. You can think of it as a reaction to the Paradox of Tolerance, in that it is most often the political left does to protect those viewed as being less powerful. 

The fabulous YouTuber ContraPoints (Natalie Wynn) started January with a 100 minute long video discussing cancel culture after she herself was ‘cancelled’ for a recent video where she invited Buck Angel to provide a voice over for a quote. ContraPoints has put in a huge amount of effort into this video and it’s really one of her best, so I won’t explain the whole drama here, I’ll just point you toward her video. It’s here. You should really consider watching it.

This video really appealed to me for a lot of reasons. As you may well be aware, the University of Edinburgh has seen a lot of outrage regarding feminism and trans rights. The rest of this post, and indeed all of my content, comes from my perspective as a cis-gendered bisexual woman, and I would encourage you to do your own research on these topics, and to remember that I am no expert here. There are two important concepts here, trans-exclusionary radical feminism (TERF) which many people prefer to call ‘gender critical feminism’, and trans-inclusionary feminism. In a nutshell, the trans-exclusionary feminists are concerned that trans women will endanger female spaces and female safety. Trans inclusive feminism considers that trans women are women, and have the same need for female spaces as cis women. I use the words ‘trans-exclusionary’ and ‘trans-inclusive’ in this blog because at present I see that as the crux of the conflict. Many years ago, I understood gender-critical feminism to be about breaking down imposed boundaries of gender, but that’s not how the term is now used. It is now fairly universally used to mean trans-exclusionary philosophies. Maybe I misunderstood the term at first, or maybe it has changed, but for me it’s clearer to talk in exclusion/inclusion terms.  

The New York Times recently argued that TERFs are a particularly British problem, which I’m not sure I agree with, but there is certainly a type of older British feminist that you almost ‘expect’ to come out with trans-exclusionary views, such as J K Rowling. Recently Rowling tweeted in support of Maya Forstater, a woman who took her employers to tribunal for not renewing her fixed term contract after she repeatedly made trans-exclusionary tweets. Her complaint was not upheld. I was irritated by people defending Forstater, and made this tweet, jumping on the cancel culture bandwagon for JK Rowling. 

The Halo Reach realisation is real, incidentally. I remember being on the Halo fan forums at the time and enthusiastically telling a Bungie developer I’d be happy to have my multiplayer character grunt in a female voice, even if the model was the same. That memory, sparked after seeing some of the Reach remake trailers, struck me as a really clear example of why being correctly gendered in conversation is so important to people, in a way that cis folks like myself might find easier to relate to. On reflection, I wish I hadn’t said ‘fuck TERFs’ in the tweet, because that’s not going to invite any reasonable debate or encourage anyone to listen to my ideas. And this is the issue with cancel culture that ContraPoints’ video discusses. Cancel culture prohibits discussion.

While I was watching ContraPoints’ video, I was uncomfortably reminded of something my dad used to say to me when we were having political debate. My dad frequently calls me a ‘Trotskyite’, who’s too busy feuding with my fellows to pull together for the left as a whole. Much like myself, my dad will also say almost anything in a debate to win, but his observation about the left’s tendency to schism is a pertinent one. In the nineties, around our kitchen table, he was eerily prescient of the left’s challenges in the 2010s.

The Economist recently posted a brilliant article about why the Conservatives are the most successful political party in the world. If it’s behind a paywall for you, the answer is that the Tories are very flexible in morality and policy if it keeps them in power. They will be the party they need to be to get elected. The left, by contrast, will fight within itself about how exactly it should respect all members (see this Atlantic article, this Guardian article which seems to suggest that Labour should have done everything differently in the last GE). 

We live in a world where it is very easy to express an opinion, and where you can be cancelled for that opinion just as quickly. Take Joan Meiners who tweeted about the inaccuracy of peoples’ bee tattoos, not realising that those tattoos were a specific reference to the Manchester Evening News Arena bombing. 

I liked Joan’s original post when I saw it, and then I liked the tweets criticising it. Where do I fall in the outrage league?

How do we teach the academics of the future to critically analyse ideas when they see trusted, powerful, and adored figures like JK Rowling being told to die for what is an opinion? Especially when we say we’ll assess them, and the perceived penalty of getting it wrong is so high? In my first year science course, I tell my students I expect compassionate science from them, but I don’t tell them how I expect them to critique a piece of science compassionately. I tell them their best exposure to critical analysis will be in scientific papers, but we all know how bad peer review is for encouraging this kind of discourse.

Trans rights may seem like a strange road to thinking about how I teach critical analysis, but the concern and trepidation I felt about these issues must be a reflection of how it feels to critique something in a modern classroom. Our classrooms will have students who are aware of these debates, aware of these controversies, and whom we’re asking to critically analyse a piece of work. It is our responsibility to teach with an awareness of this culture. 

So this year I’m going to work on actively teaching compassionate critical analysis. I’m not totally sure how this will go yet, so I started drafting an outline. Have a look through the slides and see what you think, feel free to adapt or hit me up on Twitter to give me any feedback.

Cancel culture is cancelled. 

A Dangerous Demographic

I have a bit of a thing for adverts on the internet, because I love looking at how an algorithm decides what I like. (See the book, chapter 11).

But there’s an advert I’m getting a lot lately, and I can’t get it out of my head. The advert is about three minutes long, and thankfully skippable, and it plays in front of every YouTube video I watch. Doing my daily yoga? Advert. Watching a group of gamers murder and mutilate one another (virtually)? Advert.

Towards the end of the ad, the presenter says “Imagine . . . never having to worry about that time consuming process of creating courses and coaching programmes.”

Hold up. Wait. Insert record-scratch noise.

Never having to create a course again?

 

This advert is for a service which will provide you ‘content’ for a price. They seem to be mostly selling blog posts and ‘top 10 tips’ lists. They seem to be talking mainly about ‘coaching’ services, but I can’t get that phrase out my head. “Never have to create a course again”.

Off the top of my head, I’ve been involved in the creation of about 25 courses in higher education. Four of them have been courses which were owned by me, and that I would have to do the bulk of the delivery for. I think that gives me an unusual perspective on course design.

There’s a part of me that very much wants to write a dystopian future novel about a higher education environment where the educators purchase the materials of the course from the same place that sells the answers to the assignments to the students. Yes – I think the next logical step for essay mills is for course creation.

I am being a little flippant here, as I actually think essay mills are one of the greatest failures of higher education. It horrifies me that we have a whole cohort of students, a marketable population who value product over process. I don’t think this company is interested particularly in writing university courses, but I am certain they wouldn’t object to me using the content I might purchase for them in such a way. In fact, I think they would even start working to develop content in that area, if they thought people would pay for it.

It’s interesting that this ad comes up on YouTube because some people on the platform have been paid to promote essay mills in their own content. It’s also interesting that no matter how many times I tell YouTube I don’t like the advert, it continues to show it to me. Something in that algorithm is overriding the information I myself give to Google. I can’t help but wonder if there’s something about me specifically that the company wants to reach. Since GDPR, I’ve had some truly weird and wonderful adverts, including a company who thinks I’m in the market to buy a bulk order of silicone processors (Google Ads thinks I like Business and Productivity Software, Business News and Business Services as well as Computer Components which . . . is kind of disappointing, Google). And I have seen an unfortunate resurgence in the amount of adverts to the all important 30+ woman demographic which means that pregnancy testing companies think I spend all day urinating. (Asides from all the research implications, this has been the biggest issue I have with GDPR. I had JUST trained Google out of this).

What really, really worries me – if that I fit into a demographic here. I know that Google Ads aren’t that clever. And I know how essay mills sell. They say that essay assignments are unfair, are impossible to be marked unless you know the system, and they say they have PhD students waiting to write for you. They talk about unemployed professors wanting to get one over a system that wronged them.

I look at staff who are fighting for pensions, and yet will be punished for this year’s poor NSS scores. I remember the incredulous face of a colleague when I described how that overall satisfaction is actually calculated. I think of the papers which demonstrate that department, not university, not subject, but that little culture of people in a building – is the greatest contributor to variation in the NSS scores.

I wonder how many of those departments, those unhappy and stressed people, who are told that leaving academia is weak and shameful, and I wonder . . .

When they click a YouTube link, do they hear Imagine . . . never having to worry about that time consuming process of creating courses.

 

 

MOOCs as a mechanism for behavioural change

Have you always wanted to hear my opinions on MOOCs but been unable to bring yourself to search through the MOOCs tag of this blog (or read the papers, or look at Twitter, or . . . never mind).

Well it’s good news for you! The Human Behavioural Change for Animal Welfare conference did a great job recording all the talks, including yours truly. The full set of talks can be found here, but I would highlight Melanie Connor’s talk on the Duty of Care projefct and Anna Saillet’s talk on maintaining behavioural change.

You can watch yours truly here:

Digital Pawprint

What rights do people have over their pet’s image?

Our office conversations are usually pretty fascinating (if I do say so myself) but this week we’ve been really been outdoing ourselves in the animal welfare corridor of the vet school.

What rights do people have over their pet’s image?

Our conversation was, as so many of the best conversations are, the result of some interesting coincidences. Our new e-Learning developer at the vet school was the genesis of Edinburgh University’s ‘Digital Footprint‘ campaign, designed to help staff and students manage their awareness of their online presence. We’ve been thinking about this a lot ourselves as we build more and more e-resources (with our YouTube channels too!).

When we take footage of an animal for educational purposes, we get the owner’s consent. But a lot of the animals we record are strays, who hopefully will go on to become somebody’s pet after they get adopted. We also sometimes ‘misrepresent’, in the loosest sense of the word, what might be happening in a piece of footage.

For example, I have a great piece of footage of Athena scratching my hand, seemingly without warning. I use it to accompany lectures/resources of cat aggression. What this piece of footage doesn’t show is that we had been playing boisterously for a few minutes prior to the scratch and I knew full well what was going to happen. I also don’t show much of her reaction afterwards, where she immediately stops her playing and starts a whole host of affiliative behaviours that is a cat’s version of apologising when it knows it’s stepped over the line. The behaviour isn’t really aggression at all, just one component of Athena’s full behavioural repertoire, the same way that if I swear at my friends it isn’t really ‘aggression’ so much as part of our friendship. But I fully believe that as an educator, the clip I show makes my overall message stronger and a facsimile of the behaviour in question is far better than a visual-less description.

I can do this because I fully understand the implications of what I’m saying and what it means to pair that with an image of Athena. Can an owner do the same? For example, if we recorded a dog in the vet clinic and then were later to use that image to imply the dog was in pain (when in fact we know its pain was well managed and these behaviours actually have another cause), has the owner been able to give full, informed consent for this? The answer is ‘no’, and it makes our job really difficult as we try to find images that we have full control over. Which is why you see our animals more than any others in our MOOCs and videos.

It becomes even more complicated when we use images of animals in shelters. They will go on to become somebody’s pet, we hope. Can we use those images when their new owner has never consented? Worse, could we possibly damage a new pet-owner relationship by showing the animal out of context? If somebody watches one of our videos and sees their new dog being the poster child for ‘aggressive dogs’, will they immediately return their new dog? From a risk management point of view, while the risk severity of this is high, the likelihood of the risk is small. It still preys on our minds though. Our best practice is to seek informed consent, and we’re looking at improving this process as we talk with our MOOC team for super secret future projects that just happen to need lots of footage of cats and dogs . . .

But this argument is not just academic. You may have seen the article in the Guardian where the winners of a Thomas Cook selfie competition were contacted by the owners of the horse who featured in their selfie. The horse is performing a Flehmen’s Response (not ‘sticking its tongue out’ as the article claims), but the owners say they trained the horse to do this. While the owners may not be able to control their horse’s image while it is in a public place, do they have the intellectual property rights to the act of training their horse at all?

To go for another example, if I was to relinquish Athena (perhaps because she had jumped on my bladder one last time on a lazy Sunday morning), and one of her future owners then capitalised on her ability to carry out a conversation, could I claim the intellectual property rights as I was the one who had trained her to do that?

Of course there’s another argument, and that is that the animals themselves own their images. Certainly Wikipedia has been contending that the IP of this particular image belongs to no one, as the photographer is the macaque itself! Animal Rights groups, of course, disagree. (Check out my post ‘Value‘ if you want more chat about the ethics of animal use).

Finally, if I am aware of all of this, and the contention of ownership over image, and I post it on my blog anyway . . .

Monkey takes selfie

By Self-portrait by the depicted Macaca nigra female. See article. [Public domain],via Wikimedia Commons

 

. . . have I just lost all my ethical street cred?

Science Outreach All Day, Erry Day

Hi all,

Check out this amazing blog about my good friend Lucy’s work in the Antarctic.

And if that’s not enough science for you, on the 2nd October I have wrangled some of our SRUC Animal Behaviour and Welfare scientists together to talk about the Five Freedoms at Fifty.

You can watch by signing up at the Google + Page here, or watching direct on YouTube.  If you want to submit a question, please feel free to do so by tweeting @SRUCResearch using the #Freedoms50 hashtag 🙂

You can read more about the event on the SRUC webpage.

Fluffy Friday – Virtual Nature

Ahh it’s the end of the week, a new paper was accepted, the exam boards are all finished up, and I’ve marked my second last thesis, time to kick my feet up and chill out with a nature documentary .  . .

A nature documentary made in Grand Theft Auto V! ‘Onto the Land’ is a lovely little piece of machinima, and it contains all the great tropes of nature documentaries. And of course, if you live in Edinburgh, you’ve got to support Rockstar North.

Watch ‘Onto the Land’ here:

Ethical Eating Month – Meat

The Ethical Eating month doesn’t start easily. We begin with the thorny issue of eating meat.

 

When I wrote the first draft of this post it was extremely long because I wanted to outline the ethical process that led to my personal decision to eat meat. After writing it and re-reading it, I couldn’t help feeling like I was lecturing people on why my life choices are superior to everyone else’s. I mean they are, obviously, because I’m awesome, but that’s not what you come here to read about.

So that blog, and the question of ‘should we want to eat meat’ has been shelved for now, and instead I’m going to focus on the ethics of meat production. If you don’t want to eat any meat at all, that’s your choice dudes, but this is for those who enjoy a steak now and again. How can we eat ethically?

There is a Coursera course, The Meat We Eat by the University of Florida, which many of my students have recommended. And this is really a topic that we could discuss for months on its own, so I’m going to cram a lot into this little blog post.

We’ll discuss the effect meat production has on our climate in a few weeks, today we’re concentrating on the process of producing meat. How do the most common meats end up on our table?

I often hear people saying how far removed we are from our food, or say something that either has a very idyllic picture-book idea of farming, or a gross misunderstanding based on pressure group videos, outdated or misrepresented. In the age of YouTube, there’s no excuse for not knowing what a real farming environment looks like because not only are our supermarkets, levy boards and colleges putting videos up, but so are actual farmers. I’ve cherrypicked some good resources that really demonstrate what I think of as good and realistic farm environments.

 

Chicken (Broiler Systems)

The broiler chicken is the breed we eat and they have been heavily selected for, so much so that most breeds can be patented. They grow exceptionally quickly and in intensive systems are packed into sheds without much in the way of environmental enrichment to stimulate them, which may be a good thing because they often break their bones because of their quick-growing physiology. Hugh Fearnley-Whittingstall made a really good program on this a few years ago, and here you can see a pretty damn good free range broiler system

 

The fact I call this a ‘pretty good’ system might surprise you, but it is. These birds are clean, active, and don’t look damaged. I agree completely with what Hugh says, that this should be the bare minimum standard for chicken production in the UK. A £1 extra per chicken, at the time of filming, that’s what you buy for it.

 

I try really hard not to buy chicken. It is the meat I am probably most squeamish about because I think their quality of life is pretty poor.

 

Which brings me neatly to . . .

 

Beef (Beef Cattle Systems)

If you were to reincarnate me as a production animal, I’d like to be reincarnated as a beef cow in Scotland. MrScottishFarmer on YouTube has a video showing the living conditions of beef steers (the castrated males we eat), and it’s a decent system I’d say. The steers aren’t too muddy, the straw is relatively clean, and they’re all calm and curious about the human.

 

The beef cows (remember ‘cow’ means female cattle) you’ll see out in the fields with calves are the mummys, who keep their calves with them until weaning age, typically around 7-8 months (although earlier weaning is a thing). Then the boys are grouped together and fattened up until slaughter. Beef cows will then have their next calf and the system starts again for them. The big welfare problems that have occurred in British beef farming systems have largely been man made.

 

Feedlots, which are what we call the area steers are raised, change country to country. Particularly in the Americas you’ll find much larger and more intensive systems.

Another video, which does contain some mild images of abbatoirs, comes from Quality Meat Scotland (and features quite a few SRUC researchers under our former ‘SAC’ banner). What you can see here is a very good beef handling system, watch how calm the steers are in handling. That’s a great sign.

 

 

Pork (Pig Production Systems)

Pig farming in Scotland has a large proportion of outdoor farming compared to many other countries producing pork meat, but we still have the intensive indoor systems.

 

You’ll be able to see examples of both in this QMS video

 

and in this great video from an Australian producer, showing a more intensive system:

 

 

Lamb (Sheep Production Systems)

Lamb is the meat of a sheep less than a year old, while mutton is the meat of a sheep older. Lamb is probably my least favourite meat (versus pork, which I would until the cows came home if I could).

 

We’re going travel south for this video, because in Scotland we tend to fling our sheep out into the hills and forget about them (gross exaggeration). Southern systems tend to be more intensive.

 

The girl who explains the lamb production system is very engaging (maybe Hugh should hire her). But how about a truly intensive system? Canada has us covered here:

 

Fish (Aquaculture)

And of course we can’t forget our fish! Fish are a hard one because it’s a huge range of species that you’re trying to cover, and we’re not so au fait with our understanding of their ability to feel pain, etc. (although note that our EU legislation considers all vertebrates to be sentient)

 

The Ethics of Meat?

You might be wondering what any of this has to do with the ethics of eating meat – well this is the welfare of how these animals live. While welfare at death is undeniably important, overall it’s a much shorter component of the animal’s overall experience. I’m more concerned about the welfare-at-life of my meat animals.

 

Farm assurance schemes such as Freedom Food  and Red Tractor  have some, possibly basic, welfare standards.  Those are two schemes that I look for when I’m buying meat as a bare minimum. There’s also the Soil Association’s animal welfare standards  if organic is a priority for you. Just as you would check calorie information, we really should be checking farming methods too before we buy.  Take a look at the welfare standards of these organisations and decide if that’s the welfare you want your meat to have experienced when it was alive, because that is what we meat eaters must understand – these burgers were animals at one point.

 

Is meat too easy? Hugh Fearnley-Whittingstall (such a great name to type out) used to do a show where he took a number of bad cooks and got them to re-engage with the source of their food. In this clip, he makes the point of taking responsibility for the life and death of his chickens. Definitely worth a watch:

 

I would love to live in a world where my tenement block looked after a number of chickens in our garden, but my tenement block can’t even look after our garden. Our lifestyles encourage cheap, butchered meat. The last meat I ate was pollock  steaks that I buy frozen and keep by to make curries with when I need to make a quick cupboard meal. It’s hugely convenient.

 

Reducing the number of animals we need to farm would greatly improve the overall welfare of production animals (the welfare of the farmers however is a topic to come . . . ) But is it realistic? What about people under financial pressure? Can we ask them to stop buying cheap meat? Well, yes, we can. A Girl Called Jack blogs about cooking on a very tight budget, and the majority of her recipes are meat free.

 

These are all strangely complicated questions, featuring a lot of human behaviour and many interconnecting issues that we’ll discuss later in the month.

 

But I think the biggest step in helping production animal welfare is showing people what farms are really like, and as you can see from this post, the internet is a vast repository of resources. Really, neither side of the ethical debate has any excuse to be ignorant about what real farming is like. 

Fluffy Friday – More Animal Welfare Teaching

I am on annual leave this week, which is glorious, particularly as there are so many developments in the pipeline at work. Lots of exciting things coming up. Look out for MOOC news coming soon, as well as some news about what we’re doing for World Animal Day in October.

There may or may not be a post next week, depending on how much fun I get up to on my annual leave, so while you’re waiting, why not vote on some possibilities for the future.

Go to Strawpoll to vote!

Chronicles of Athena – 40 Weeks

This week a man came into the house and played about with Athena’s favourite window. He even stood on her beautiful window sill with his boots on. I am sure you can imagine just how upset she was by the whole event.

Our new flat has the most beautiful light and I couldn’t resist taking advantage of it yesterday to demonstrate a cool little quirk of feline physiology. You might have seen this demonstrated on the BBC’s wonderful ‘Secret Life of Cats‘ but hopefully this video will show you how you can demonstrate this as a teacher or parent (or just to other people if you have a cat on hand!)

Watch how, despite no change in the light levels, Athena’s pupil size changes drastically before she pounces on Mr Ducky. She opens her pupils as wide as she can before pouncing so she can take in as much information as possible. It’s very obvious once you start looking for it, and would supplement a lesson on the physiology of the eye really well.

 

 

Animal science and behaviour science isn’t always easy to demonstrate, unlike chemistry or physics where you can set up experiments with a lot of household objects. I keep meaning to collect small examples of animal behaviour that work like this, so if you think this  kind of thing is useful, do let me know.

Fluffy Friday – Frankenstein MD

Did you know that the first science fiction story was written by a woman? I wrote my advanced higher English thesis on ‘monsters’ and The Modern Prometheus was one of the texts I chose.

So imagine my excitement when the team behind the excellent Lizzie Bennett diaries (a YouTube adaptation of Pride and Prejudice that I adored) announced that, in partnership with PBS Digital Studios, they were making Frankenstein MD.

The cool twist is that Victor is now Victoria, which I think is awesome, particularly as women in STEM fields are a problem for us.

Unfortunately the first three episodes have fallen a bit flat for me. They’ve broken away from the Lizzie Bennet ‘video diary’ style and there are multiple camera angles. If you’re going to do that, why have the video diary format at all?

And it may be premature to judge, but I’m terribly worried about how they’ll handle Victoria ‘reaching too far’. Men may have hubris in science fiction, but women always seem to be reaching for knowledge they (or ‘man’kind) shouldn’t. This is an important theme in Frankenstein, but as Frankenstein will ultimately either have ‘reached too far’ or fail to take responsibility for the ‘life’ he has created, I find these troublesome tropes to be laying at the door of a female scientist. Too familiar.

Now I loved the Lizzie Bennett diaries, and I maintain some hope that they will deal with this sensitively (after all, ‘Its Okay To Be Smart’  is the science advisor), but already she’s being dismissive and cruel to her Igor who in this iteration is a man (why not another woman?) and who already appears to fancy Victoria and she seems to know it. Leading to some awkward moment when he kills himself in episode one.

Maybe this will all even out in time. I did think that the Lizzie Bennett diaries would never work. But, that being said, I never got into Emma Approved either.

 

Before I go – I shall say that FluffySciences is on hiatus for the next three weeks as I will be away visiting old friends and family, as well as attending PAX! I’m very excited and can’t wait to be there, so enjoy your summer break all, and see you on the other side.